The giving of directions for getting a conception of a person, place, etc.

Fundamental Device.— GIVING OF DIRECTIONS.

When we describe an object so as to enable the reader to see it in the process of creation, as it were, we very frequently use the imperative mode and speak as if we were telling the reader how to construct the object or how to paint a pic¬ture of it. This method of description appeals to our instinctive interest in see¬ing things grow.

A.	MODEL.

Imagine a laige head upon a lean and feeble body. Surround the throat with lace of dazzling whiteness, worked in meshes like a fish-net. Festoon the black velvet doublet of the old man with a heavy gold chain, and you will have a faint idea of the exterior of this strange individual, to whose appearance the dusky light of the landing lent fantastic coloring. You might have thought that a canvas of Rembrandt without its frame had walked silently up the stairway, bringing with it the dark atmosphere which was the sign- manual of the great master. SUGGESTIONS.—What description-motive is used in this model? Find the imperatives. What directions are here given?

B.	EXAMPLE FOR ANALYSIS.

To a true poet-heart add the fun of Dick Steele, Throw in all of Addison minus the chill. With the whole of that partnership's stock and good will, Mix well, and while stirring, hum o'er, as a spell, The fine old English Gentleman, simmer it well, Sweeten just to your own private liking, then strain, That only the finest and clearest remain, Let it stand out of doors till a soul it receives From the warm lazy sun loitering down through green leaves, And you'll find a choice nature, not wholly deserving A name either English or Yankee,—just Irving.

—JAMES RUSSELL LOWELL, A Fable for Critics.

SUGGESTIONS.—Find the directions given in this selection. What description-motive is this ? What is the fundamental quality ? What suggestions do you find of a recipe ?

Minor devices used. allusions. metaphor.